Download TT Interfaces Font Family From TypeType

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Useful links: History of TT Interfaces creation TT Interfaces PDF Type Specimen TT Interfaces graphic presentation at Behance Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms. We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work. You can learn the detailed history of the typeface creation in the article by the link, and here we will tell you what we got in the end. TT Interfaces consists of 22 styles: 18 styles in the basic family, 4 monospaced fonts. The main visual features of TT Interfaces include the open aperture of the characters, the uniform distribution of white and black, as well as excellent readability. The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love. In addition, TT Interfaces has the most advanced manual TrueType hinting. The basic TT Interfaces family consists of 18 styles (9 weights and 9 obliques), in each of which there are more than 930+ glyphs. In the typeface, you can find old-style figures, stylistic alternates, mathematical signs, as well as 100 universal icons divided into five thematic groups: basic actions, states, sections of the site, documents and folders, mobile interface. TT Interfaces supports more than 180 languages based on extended Latin and Cyrillic, including Bulgarian localization TT Interfaces Mono is a complementary family of 4 styles (2 upright and 2 obliques), each of which consists of 740+ glyphs. We intentionally changed the sign composition of the Mono subfamily—we added special characters to the encoding and removed everything that was not needed (for example, ligatures). Although Mono borrowed the basic style-forming aspects of the main family, for example, the openness of the aperture or the degree of rounding of the circles, but due to the monospace, it adds some of his own character. First of all, this difference can be found in the changed design of signs, in noticeable visual compensators, as well as in italics, whose design is made in a more humanist way.

Download TT Interfaces Font Family From TypeType

Sauce Grotesk fonts from Creative Sauce - (ppihx)

Download Now Server 1 Download Now Server 2 Download Now Server 3 Sauce Grotesk is a compact typeface much like the classic unassuming sans serif grotesques but with softer features that shows fluidity and a sense of easiness. We wanted a typeface that can relate to a broader audience for maximum message clarity while maintaining aesthetic qualities. Sauce Grotesk Sauce Grotesk

[ynqfi] Download European Sans Pro fonts from Bülent Yüksel

Download Now Server 1 Download Now Server 2 Download Now Server 3 EUROPEAN SANS PRO ABOUT FAMILY: What makes " European Sans Pro " elegant, friendly and contemporary is its very rounded curves with very open terminals. " European Sans Pro " has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, " European Sans Pro " supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were ...

Saes Grotesk fonts from W Type Foundry - (ymicp)

Download Now Server 1 Download Now Server 2 Download Now Server 3 Saes Grotesk is inspired by the first sans serif typefaces from the XIX century. In America, these sorts of fonts were called Gothics, in Britain Grotesques, and Grotesks in Germany; despite these different labels, they pointed out two things: the lack of refinement and the change of type paradigm. The creation of Saes follows that idea and mixes it with contemporary aesthetic features. Some letter endings like “a”, “c”, or “e” were projected a bit further, providing a contemporary vibe. On the other hand, we squared the grotesk “g” and linked it with the ligatures features to give a weird-good-looking texture when it is used to compose texts. We also looked at many old grotesk font specimens, and ink errors pop up in front of our noses. For instance, the bar of the pound symbol was slightly uneven; thus, we took these mistakes and put them in some letters as details, which enrich the organic vibe and make the ent...

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