Skip to main content

Download Palsam Pro Fonts Family From Abjad

Download Palsam Pro Fonts Family From Abjad

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


Since the beginning, Palsam was intended to be a super multilingual family, with a real cursive Arabic companion, and a display cut. The typeface was designed to be used for setting text and titles of contemporary Arabic content, specially magazines, and websites. The Arabic and Latin scripts were designed at the same time, to make a true authentic bilingual typeface. Both scripts have affected each other in several ways through the entire design process, which happened within ten years.


Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes.


The main highlight for Palsam was the Cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Since the Ijaza is a hyper combination of Naskh and Thuluth, which makes it perfect to be a companion for the upright Naskh. Moreover this script was used in margins, and to highlight specific content inside a paragraph in older manuscripts.


With true cursive companions in five weights, and many opentype features, Palsam grants all the tools needed to set complex information and editorial designs applications. More than 1000 characters are included per weight, including small caps, fractions, old style and lining numbers, ligatures, contextual ligatures, and discretionary ligatures. It supports over 40 languages that use the Latin extended, as well as Arabic, Farsi, and Urdu Languages.


The latin script was designed in collaboration with the Slovenian type designer Alja Herlah.


Download Palsam Pro Fonts Family From Abjad
Download Palsam Pro Fonts Family From Abjad



Download Palsam Pro Fonts Family From Abjad


Popular posts from this blog

Sauce Grotesk fonts from Creative Sauce - (ppihx)

Download Now Server 1 Download Now Server 2 Download Now Server 3 Sauce Grotesk is a compact typeface much like the classic unassuming sans serif grotesques but with softer features that shows fluidity and a sense of easiness. We wanted a typeface that can relate to a broader audience for maximum message clarity while maintaining aesthetic qualities. Sauce Grotesk Sauce Grotesk

[ynqfi] Download European Sans Pro fonts from Bülent Yüksel

Download Now Server 1 Download Now Server 2 Download Now Server 3 EUROPEAN SANS PRO ABOUT FAMILY: What makes " European Sans Pro " elegant, friendly and contemporary is its very rounded curves with very open terminals. " European Sans Pro " has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, " European Sans Pro " supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were ...

Saes Grotesk fonts from W Type Foundry - (ymicp)

Download Now Server 1 Download Now Server 2 Download Now Server 3 Saes Grotesk is inspired by the first sans serif typefaces from the XIX century. In America, these sorts of fonts were called Gothics, in Britain Grotesques, and Grotesks in Germany; despite these different labels, they pointed out two things: the lack of refinement and the change of type paradigm. The creation of Saes follows that idea and mixes it with contemporary aesthetic features.   Some letter endings like “a”, “c”, or “e” were projected a bit further, providing a contemporary vibe. On the other hand, we squared the grotesk “g” and linked it with the ligatures features to give a weird-good-looking texture when it is used to compose texts. We also looked at many old grotesk font specimens, and ink errors pop up in front of our noses. For instance, the bar of the pound symbol was slightly uneven; thus, we took these mistakes and put them in some letters as details, which enrich the organic vibe and make the ent...